Pottery in Tunisia has a rich history that dates back thousands of years. The country's unique geographical location, at the crossroads of different civilizations, has greatly influenced its pottery traditions. Tunisian pottery is known for its vibrant colors, intricate designs, and diverse shapes, making it a significant aspect of the country's cultural heritage.
One of the most iconic forms of Tunisian pottery is the "tagine." The tagine is a shallow, circular dish with a conical lid, traditionally used for slow-cooking stews and other dishes. It is a staple in Tunisian cuisine and is often intricately decorated with colorful patterns, reflecting the country's vibrant aesthetic.
Another popular shape in Tunisian pottery is the "gargoulette," a water jug with a distinctive bulbous body and narrow neck. Gargoulettes are traditionally used to store and pour water, and their unique shape helps to keep the water cool in the hot Tunisian climate. These vessels are often adorned with geometric patterns and bright colors, adding a touch of artistry to their functionality.
Tunisian pottery also includes a variety of bowls, plates, and vases, each with its own unique shape and purpose. These items are often embellished with intricate designs that showcase the skill and artistry of Tunisian potters. The use of bold colors, such as cobalt blue, emerald green, and vibrant red, is a hallmark of Tunisian pottery, adding to its visual appeal.
The city of Nabeul, located on the northeastern coast of Tunisia, is renowned for its pottery production. The region's clay-rich soil and long history of pottery-making have made it a hub for traditional Tunisian ceramics. Visitors to Nabeul can explore the local pottery workshops and witness the skilled artisans at work, shaping and decorating the clay using age-old techniques.
Tunisian pottery is not only prized for its aesthetic appeal but also for its functionality and durability. The clay used in Tunisian pottery is often sourced locally and is known for its high quality. The pottery is fired at high temperatures, resulting in robust and long-lasting pieces that can withstand everyday use.
In recent years, Tunisian pottery has gained international recognition, with contemporary artists and designers incorporating traditional Tunisian motifs and techniques into modern, innovative designs. This fusion of old and new has helped to preserve Tunisia's rich pottery heritage while also bringing it to a global audience.
In conclusion, Tunisian pottery is a vibrant and integral part of the country's cultural identity. Its diverse shapes, intricate designs, and bold colors reflect the rich history and artistic traditions of Tunisia. Whether used for cooking, serving, or decoration, Tunisian pottery continues to captivate and inspire with its timeless beauty and craftsmanship.
Tunisian pottery encompasses a wide range of forms, each with its own unique characteristics and uses. Some of the most prominent types of pottery in Tunisia include:
Tagine: The tagine is a shallow, circular dish with a conical lid, traditionally used for slow-cooking stews and other dishes. It is often elaborately decorated with vibrant colors and intricate patterns, making it a visually striking piece of Tunisian pottery.
Gargoulette: The gargoulette is a distinctive water jug with a bulbous body and a narrow neck. It is designed to store and pour water, and its shape helps to keep the water cool in Tunisia's hot climate. Gargoulettes are often adorned with geometric patterns and bright colors, adding to their aesthetic appeal.
Bowls and Plates: Tunisian pottery includes a variety of bowls and plates, each with its own unique shape and purpose. These items are often embellished with intricate designs, showcasing the skill and artistry of Tunisian potters.
Vases and Decorative Pieces: Tunisian pottery also encompasses vases and decorative pieces, which are often adorned with bold colors and intricate patterns. These pieces serve both functional and decorative purposes, adding a touch of artistry to the home.
Tiles and Mosaics: Tunisia is known for its vibrant and intricate ceramic tiles and mosaics, which are used to decorate walls, floors, and architectural elements. These tiles often feature geometric patterns, floral motifs, and vibrant colors, adding a unique aesthetic to buildings and public spaces.
These are just a few examples of the diverse types of pottery found in Tunisia. Each type reflects the country's rich history, cultural diversity, and artistic traditions, making Tunisian pottery a vibrant and integral part of the country's heritage.
Meet the guardians of Tunisia’s Sejnane pottery heritage
"We want to present it to the world. I did not like it initially, but I became fond of it and worked with clay even though it is labor-intensive."
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In the picturesque town of Sejnane, Tunisia, the art of pottery is more than just a skillful craft. It is a cherished tradition that binds generations together. Passed down through time, this ancient practice, primarily led by women, serves as a testament to the community's rich history and cultural identity.
To ensure that future generations remember this art form, Sejnane's locals have dedicated themselves to preserving its unique heritage.
The scenic town of Sejnane, Tunisia is known for its art of pottery
"I learnt this craft from my grandmother. It's part of our heritage that we must protect, promote, and share with our children," explains Hajer, a 24-year-old local who profoundly understands the significance of this tradition.
The pottery industry was smashed to pieces
Sejnane's pottery industry faced multiple obstacles following the 2011 Tunisian Revolution. The town fell under the control of armed groups during this time who targeted pottery items, particularly Sejnane's unique dolls, claiming they were forbidden statues.
UNESCO recognition
International demand for The Sejnenia Group's ceramic products increased significantly in 2018 after UNESCO recognised Sejnane's pottery as an intangible heritage.
Today, young girls learn the craft the same way their mothers did, from their mothers. Their resolve to preserve and champion this cultural legacy has intensified, especially as they witness their pottery being purchased and sent overseas.
The Wonderful World Of Tunisian Ceramics
At Nabeul, Tunisia’s ceramic capital, colourful ceramics and unglazed pottery fill the shelves inside the countless shops, and spilled onto the sidewalks. Bowls, ewers, jugs, plates, tiles and innumerable other articles of every description, coming in a myriad of colours, are fascinating.
It is believed that the Sumerians invented the manufacture of simple pottery in the mist of history. Builders of later civilizations further developed the trade. From among these were the Canaanites, better known as Phoenicians, but who later took on the names of the Punic people and Carthaginians. After they established the city of Carthage, located in modern-day Tunisia, the art of the manufacture of ceramics and mosaics became a flourishing industry in North Africa.
Subsequently, the Punic artisans in the Carthaginian lands evolved the manufacture of natural pottery and ceramics into new forms like glossy black and red plates and amphorae with small pointed tops, excellent for transporting olive oil and wine by sea. Also, the Carthaginians invented the earliest true mosaics in the world. Some of these can still be seen in the excavated section of Kerkouane – the only Carthaginian city that was not built over by later civilizations. The Romans, who, centuries later became famous for their mosaics, no doubt, inherited this craft from these Punic artisans.
After their occupation of North Africa, the Romans further enhanced the art of the manufacture of ceramics. Exquisite products were produced by the adornment of glazed pottery and tiles with flowers and mythological relief. With the coming of Islam, the manufacture of earthenware evolved further. Thereafter, Tunisian ceramics became known for their richness of form and fantastic decoration.
The manufacture of pottery in Tunisia was further embellished in the 17th century after the arrival of skilled earthenware craftsmen exiled from the Iberian Peninsula. Their distinctive ceramic heritage includes among others, the swirling floral designs in blue, green, and yellow, separated by thin black bands. Today, the majority of Tunisian ceramic artisans who still follow the Andalusian traditions have not forgotten their legacy.
In modern Tunisia, the manufacture of earthenware products is found throughout the country, but there are two main centres where the ancient craft of ceramics is still carried on, on a large scale – in Nabeul on the Cap Bon Peninsula; and Guellala on the island of Djerba. Most of the attractive ceramics and fine pottery, that visitors see exhibited in the shops and homes throughout Tunisia, are produced in these two towns. The traditional regional designs of earthenware manufacture in both centers are handed down, century after century, from father to son and from mother to daughter.
Through the centuries Guellala eventually became the chief pottery and ceramic centre in southern Tunisia. From here, some potters in the Middle Ages moved to Nabeul. In the ensuing years, this town became the chief ceramic center in the north of Tunisia.
Guellala, today, is filled with dozens of small potters’ workshops and factories. In and around town, there are more than 300 kilns and at least 500 artisans producing all types of pottery. With talented hands, they will create for customers made-to-order earthenware articles of every description.
For centuries the town’s potters have been famous for the manufacture of large earthenware terracotta amphoras. Every family once owned several of these jars to store their year’s supply of cereals, olives, olive oil, and water. Another specialty of these artisans are the magic camel jugs which do not spill water, even when turned over, and the pottery articles enameled in dark green or yellow – distinctive colors of the potters in Guellala.
The pottery and ceramic trade is even more important to the inhabitants of Nabeul – considered to be the national center of ceramics. Here, where their manufacture is the largest industry after tourism, pottery, and ceramics are king. The unofficial town symbol is a giant evergreen thuya – a member of the conifer family growing through a large jug.
Dazzling panels of colored tiles, a Nabeul specialty, which are seen throughout the country, always catch the eyes of tourists. However, this is only one of the many other ceramic products the town has to offer. Glazed plates inscribed in Arabic, bowls, and plates in many shapes and forms, couscous sieves, kneading troughs, jars, jugs, Moorish-type wall tiles, and imitations of Chinese and European plates, mostly decorated with hand-painted traditional floral and other motifs, fill the shops. Here, the imagination runs wild – there is no limit to what one can buy from the vast assortment of ceramic products.
Craftsmen workshops or small factories, many featuring wood-burning ovens, are found throughout town. They are open to travelers and offer an authentic view of the art of pottery and ceramics. Visitors can watch potters, oven attendants, and ceramic painters at work. They can admire the artisans’ range of talents as they fashion the sophisticated traditional, yet, modern Tunisian ceramics.
It is a medieval world that has ensnared the modern tourist in its trap. In the majority of cases, ceramic souvenirs are what visitors to Tunisia take back home. However, their suitcases usually do not have enough room to accommodate what they want to purchase. Tunisian ceramics must be the most reasonably priced earthenware products in the world.